killer electrohouse track includes a shuffle beat digital brothers & ben blash mix, style n tabu mix and the jeremy hills original remix must have

hot noisy and dark broken electro trax !!

funky electro house with tribal influences

as the first release by gianni pellecchia, markantonio and detail was focused on a minimal techno vocalised style, the second issue on loose records is an amazing new variation of innovative composit sound. >change< is a fresh groovy minimal long track by alex aspide, leader producer of detail duo. >meteor it< covers the a1. a powerful techno minimal track by rino cerrone and alex aspide. closing the ep >trick the truck< an ingenious produced broken beat dub track by the revelation artist maurizio vitiello. an indian vocal sample seems to drive up to an avantgarde post-detroit mood

the massive dance floor classic from armand van helden get revamped with a brand new hard driving tribal beat and some intense sawtooth synth stabs combined with a brutal build that will knock your head right off

looking back to a great year, we find david k from the freak n chic posse being one of the most successful newcomers in 2006. freak n chic stands for a kicking mix of techno and acid sounds, which are blended with some house. dj friendly, very danceable but still demanding, with elements of deep house and minimal house…whereas >tender and sugar< seems straighter, darker and more minimal, and the fat but simple beat is the driving element, >mayann< comes along with strong reerences to >Âme< and its synth sounds remind of >rej< or productions of >pasta boys< from italy

detroit techno at its best massive strings and a beat that makes all the hips swing on the a side on the flip you will find a comment to the music...

this is it! you like it or dont like it! as you ll all know, infamous dutch producers dj zki & dobre are behind the jark prongo guise and they did it again! and they are probably again far ahead with this monster!based on a phat ass break beat and oldskool hip hop rhymes that doesn

silver was born from a collaboration between benjamin diamond and fabien francois aka curtis and they deliver a soulful track with a pretty slow tempo and benjamins voice which contrast perfectly with the low and hypnotic bass drove by a motorway beat.. incl remix by oarisian producer pilooky

>1911< on side-a comes with a fat hard beat is running and flowing synth-work is building up and up, effected disco flavor sub-bass twils as if heiko laux and james holden would be collaborated together, even minilogue sounds, massive tech-house. >pixy zap< on side-b,is more cool sense of attitude with really deep acid-bass and synth-pad is on, with element of dubby and sexy minimaltech house. second track >als< on side-b, sounds as with cut up style and feels as delicate sensibilities, mad underground flavor

dj support: chloe, james flavour, sven dohse.. !! what is control launches with a driving beat, followed by a dark vocalsample with a touch of malevolence, the pair shapes a distinct sound which should distinguish it from the mountain of minimal tracks out there. it s creepy, has an edge and there s enough vitality to keep hips moving on the floor with its funky bassline. >not my enemy< on the b-sides is a bit deeper and reduced. weird synth-lines and spooky vocal shreds are marking the break, before the track ignites with cascading snthesizer triplets. manic

catwash presents two french riviera s most representative artists of the electronic scene. b-kult is a resident dj of the klub in nice, and a producer bred with the thick sound of analogical synthesizers. he offers a dark and heady track, led by a powerful beat which will hang on to you. with >feeling<, geda (criminal records) and ludovic vendi impose their minimal and aerial sound and his spotless groove. a moment of pure weightlessness!

michelle grinser - dj, producer and the beat mastermind of tough n nasty disco-punk rockers dakar and grinser steps out on a shadowy wave of electro-dub blip frenzy with his stunning, beautiful and all the way classy solo debut on southern states minimal techno fortress - st. louis based alphahouse limited. although d&g still have a knack for writing simplistic electronic arrangements and cherry.picking throbbing baseline and synth constantly evolving a brave new sound to bridge the gap between industrial music, synthpop and disco, grinser s >swallow - my - pant< is a lovely minimal electronic record which rather states a less rockin approach to what is used to be called berlin beat

incredible remixes of mr ron trent in the style of early clairaudience releases. in the vocal mix ron trent underlines the fantastic vox of texas based soul singer ndambi with a tight beat and majestic piano lines that fully blossom in the dub version on the flip. this is from an upcoming ron trent remix album and surely his greates rework in ages

for this latest prime time action piece two of the fastest rising techno jocks team up and slam down a huge techno package. both wehbba and stephane has gathered an ever growing group of fans due to their steady, dancefloor minded techno sound. this stuff whoop ass at just about any occasion. super thumping, energetic techno grooves with infectious electro-bass. one for the fans of primate, ying yang, concept, killa beat producion and intec to name a few.

we are very proud to count with the swiss funkman >agnès< on our artist pool! the man as been quiet busy lately. and the gentleman is sure not showing up with empty hands on this one. he s dub vaults are made of dead funk actions, his ever deepness along with the today s needed modern club artillery. on the a side lays the floor killer >hi-murda<. a hypnotic and dubbed out beat that just rules and rolls, a massive bassline from beyond and the ever twisted micro vocals clips and other tiny detailed sounds that defines the clever boy s production skills... a trip on a groove roller coaster that simply devastates everything on its road

marcus layton dub & club and martin eyere & namitp & kosheen dj mix. excellent break beat/ electro house tune!

supported by erick e, gregor salto, a.clamaran and more after previous collaboration, gregor salto & sidney samson decided to start their own labels underneath the wings of the worldfamous g rex label. samsobeats will be the sublabel of g rex.on this label new talents with great potential will be given the change to show their skills.from electro to latin, floorfiller tracks guaranteed

nice groovin and hypnotic deep groovin afro house

zwei schwelgerische klaviertracks mit jazzy funkyness im beat und einer fast schon avantgardistischen endlos-repetition des piano-motivs. noze haben den schalk im nacken und die finger an den tasten

after 3 releases on od records and one more recently on initial+, heko is back in force with a four tracker transcending into the depths of electro-fried synths with solid grooves and italo bassliners. a1, primavera: an electro house tune with a touch of metro area will really take control of the audience. a2, voyager: more catchy, this tune is a pure dancefloor killer with its powerfull bassline & dark synths. b1, energy 3000: a definitly disco beat and vibe for moroder fans, electro toms scattered all over the mix with furious high pop-synth. b2, mrs butterfly: dedicated for cosmic old-timers, this butterfly brings you into a magic trip through its funky bass, afro beats & full of love rodhes. definitly the release of maturity, this fatal dance music weapon finds its place in all dj s bag

with only a few releases on plak and mobilee , the southman nhar landmarks his own vision of techno :liquid bleeps , pearls of acid ,a catchy beat and melancholic feeling . don t worry ,keep on dancing nhar takes care of your mind

dj support : anja schneider, chloe, shinedoe, oxia, james flavour, sian, ralph lawson, peace division... let me dance is asking for joint dance action with spoken word shreds, driving synth-lines and a snappy beat. compared to his recent releases, >let me dance< is a true and wonderful old-school affair that reveals the deeper and more housey facette of martin in an impressive way. sebo k one of the most in demand producers of the moment contributed a fantastic remix. apart from being a splendid dj or production work for anja schneider, sebo released an array fo strong singles on mobilee as well as remixes for king roc, john dahlbäck and others. sebo picks up on the vibe of the original and makes it even more housey and adds a tighter beat

after featuring on the work of the cream of dancefloor jazz, broken beats and house music for 4 years or more, lyricl has two singles out, two lyricl singles. well it was about time. he wants to know is a mid tempo broken jazz produced by rms. it whacks the floor with sub bass and jacking brokenbeats, and ls rhymes are as tight as she sits on the riddim nice. a chorus reminiscent of a bb boogie ting completes a hard hitting heavyweight of a tune. knowing lyric ls straight up house music prowess (a la doot dude) phil asher turns in a restless soul mix that transforms ooh u & i into a tough but classy beat & bass driven jackin house workout. a dub completes a top package, a package which shows that loose lips are just one of lyricls many assets

a total tribal mayhem. strong driving tribal beat filled with all kinds of percussion. incl chus remix!!

nice price deal !!! big room electro house with a banging beat and catchy vocals.

jake childs requires very little introduction to the more discerning house ear. with releases on leading labels including drop music, freerange and doubledown, not to mention his own uni.form imprints, he has taken the house world by storm over the past few years. here he serves up some retro chicago sounding yet stripped back jackers. seems really simple at first, a real trademark of jake s sound, but its bumpin bassline, bleeps and squelches grow around you becoming more intense with every listen. the flip delivers >good times< which incorporates his brand of choppy jackin beats, punchy snares, gritty synths and rolling bass that rips apart any dancefloor. the track flips mid-way and bubbles under as the bass lines compete for attention before recombining for another roof raising moment. the >beat machine< is an eerie voyage into the middle ground between house and pop. once again moody synths and a growling sub bass lead the way, with the haunting vocals of lil prince (who has previously featured on jake s icon and drop music eps) gliding over the mix! hot floor burning shit

this is for sure one of the most requested electro track soon available. track title says it all. it s sick and will make you feel sick. dirty and twisted bass synth and a banging beat. just listen to soundlinks and you will know why this track is charted and playlisted by david guetta, joachim garraud, robbie rivera, enzo mori & stephan clarke, antoine clamaran, richard grey, bob sinclar, b. benassi and many many more

the fifth release from the album >synaptic< (raveline charts #3) shows pascal feos once more from his hypnotic techno side. the perfect groovin beats initiates the crowd to dance

played by the dahlbäcks, zoo brazil, c. lekebusch… >couldn t care less<: squelching synths and a ruckus beat that jacks you like a wack on the head pulse through the electryfied bodies until they glide in to an epic, spacious breakdown with sunset synths – and thrown straight back into the twitching beats that complement the fanfares of wild burping basses that push you over the edge. >jattedansen<: if you prefer to happily shuffle on the mad side of things, opt for the chugging, squelching nip-and-tuck of >chunky little thing< that grooves in stop-and-go fashion straight into those hotstepping dancing feet. organ stabs and squeaky, choppy synths make this a mind bending slow burner that grooves without mercy

kalimari continues on bringing a variation of colors to the centre of the dancefloor making another must have record for the house and techno lovers gespraech a is already played by ricardo villalobos

cristiano balducci delivers and expresses his varied influences and moods berlin, detroit, techno, funk, deepness and wildness

der gute laszlo haut hier wilder denn je in die tasten. nichts für zarte gemüter

crazy oldschool style house by timmy regisford. b side features the famous mutabaruka poem laced over a jumping fela kuti style beat

designer imposter is surely one of new york s freshest beat-bouncing madames. moody beats with political references are what you can expect from her. incl. a remix by kool dj pink alert aka gerd janson (running back) - this is his first ever track

nice club track which still has that good feel electro beat but is complemented with a daring disco touch on top is a funky black minded voice and some asskicking breaks already a hit in belgiums h2o club

cool funked up and atmospheric broken beat track includes cool electro flavoured ajello remix not to be missed

slamming harder tech tracks feat marco remus

due to productions on many hardtechno labels like combat skills, highball music and s suberp knedeep production, chris popularity with the fans on filthy hard throbbing techno skyrocketed.. sw7 re-offers one of his hardest works to date, the beatcasting ep!! originally released in 2002 in limited quantities, we now present this wicked piece of hard techno where chris noise pounds away like if there is no tomorrow..

electro house track with powerful electro bass, fat beat, an effectice vocal guinmick ,long emotional break and sensual spanish voices in duet with a ragga on the a side. all this ingredients in a pure french touch style, a very hot track recommended for the dancefloor b side feat a remix signed michael kaiser, queen and fg resident (paris), an electro tribal dub mix especially studied for the dancefloor!

the first cut from their landmark album entitled >i.b.b.<, presented by this japanese-born world class human beat box trio, maurice fulton decided to take this exclusive remix role only for the fans of 12 wax, since that time he got along with the trio at the biggest music festival in australia, big day out

beautiful soothing stuff from jus ed’s fantastic imprint. the original cut is a inspired floating mix of rhodes, strings and a bouncy percussive beat. additionaly theres a more driving mix by jus ed, a oldschool house take by bu mako and a more laid back broken offering from black jazz consortium. quality stuff all around

dirty, noise and broken work by crazy baldhead who teamed up with his white brooklyn b boy to make crazy muthafuckas dirty on the flip you ll find a remix by big beat king and warehouse hustla midfield general

back on stock classic release from 2000 incredible spaced out vocals on both a side tracks and a dark and dirty minimal tech experience on the flip make this a must have

if you like the sound of dennis ferrer and jerome sydenham you will love this tune

lophi is the combination of loth de luca & philip flindt, they met eachother at a n.y.e party in 2001. they quickly found out that they shared the same passion for dirty electronic music. the sound that makes up the rather unique lophi sound, is a mixture of de lucas long lasting love affair with the darker and more minimal beat. combined with flindts flair for dancefriendly music and his craving for the melodic themes, you are left with pure audio eargasms

2 straighte tracks von brendan aka beat pharmacy mit psychedelischen soundschnipseln und verdubbten bässen, die an die hypnotische seite von basic channel, deep chord & pole erinnern. gute reise !!

ultraphat francois kervorkain selection !! now available on triple vinyl pack, limited quantities

the latest release on haiti groove recordings is from the italian star producer & dj joe montana. well known for his legendary dj-sets on the fashion weeks in milano (italy) and his many releases on reowned labels like strictly rhythm, stickman records or deep touch records. five stars is coming with 3 brandnew remixes as well as the original mix from 1999. packo gualandris provide us with an ultracool electro-big beat version and tom newman, well known through his remix for martin solveig s rocking music, comes up with a electrohouse version. side b contains a deep house remix by the us superstar dj vitamin d and the original version last but not least